ARID CONFRONTATION

OIL ON BOARD, 1973

This painting, made after a year of postgraduate research, depicts the limitations of unempathic, analytical methodology. At the end of a long pilgrimage, access to life is barred from the objective stare by the rigidity of artificial boundaries. A sun composed of semicircle and triangles is caught between straight lines and weeps sundrops into a canalized watercourse. Moonlight, transformed into penetrating shafts of fear encroaches across the night sky above a plain of desolation. Life is withdrawn behind closed doors.

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